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Jacques Fénoux as Hippolytus in the Comédie-Française production of Phèdre. Photograph by Atelier Nadar. Pubic Domain courtesy of wikimedia commons.
Theramenes’ advice (above) is —like most folly— spun in threads of silvery truths. He is encouraging his master, Hippolytus, to follow his growing affection for Aricia, the foreign princess which his father (king Theseus) holds captive in the palace.
Hippolytus has grown to love her and she him, though their peoples are at war. One can imagine a montage in which the two of them sing “…there may be something there that wasn’t there before…” from Disney’s Beauty and the Beast (1991).
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p/c: Alexander Grey via unsplash
When Elwin Ransom finds himself alone on the strange world of ‘Malacandra’ in C.S. Lewis’ Out of the Silent Planet, he is running from wicked men, from monstrous beasts in the water, and from elongated ogrish creatures called ‘sorns’.
Amid all the fear, the nervous running, the panting breaths, something marvelous unfolds: a renewed affection, a love lost long ago, for his own body. He begins to feel “a strange affection towards himself” so much so that he has to check “himself on the point of saying, ‘We’ll stick to one another’” (49).
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